Real "Jeffersonian" from Bones

Bones fans will recognize this as the establishing shot used for the Jeffersonian.

It is in fact the Wallis Annenberg Building for Science Learning and Innovation at Exposition Park right by the rose garden. I knew I recognized it!

Got my American Idol Moment

After a year-long wait my friend finally got two tickets to see a taping of American Idol.

I usually only watch the beginning of the season and then the last few weeks. I'm fickle like that, I admit it. My favorite of this bunch was Siobhan and Lee. Siobhan was eliminated last week, but Lee's still going strong. I think he has gotten better since I saw him last, in the top 24.

Turns out she only got tickets for the dress rehearsal, but I was still in, why not. It's one of the great perks of living where we do.

We arrived at CBS studios at 12 p.m. dressed "trendy and hip with closed-toe shoes" per the guideliness she received with the tickets. The line at the Genosee gate was already about 50 deep, so we took our place to wait.

Waiting at another gate, not far from ours, were those going to see Dancing with the Stars. To attend that show you have to dress like you're going to prom. Wow. Lots of stilettos, glitter and hairspray happening!

We are set to wait an hour or more, in the sun, to just get into the next waiting area. Finally at about 1:30 p.m. we walk single-file through the metal detector, no phones or cameras. Then we wait another hour and a half on benches outside the set. However, they do have a water cooler and port-a-potties for us, it isn't all bad. We get acquainted with those around us and even run into someone my friend knows, it's a small world.

Finally at 3 p.m. we go inside. I'm surprised that I'm really quite excited. All of the waiting really builds anticipation. We file in, like good school kids, and are are seated right behind the judges table. If this were the live show we would have been on camera the entire time. This is usually where the family and friends of the contestants sit.

It is just magical to be there, to see in person what you only usually see on tv. I was instantly surprised at how very small the set is. It's amazing how much smaller it is in person. I could hear murmurs of the same thought echoing in those around us. Someone even said, "I could sing here, what's the big deal." But once the turn on the lights, wow! The set is transformed. Since most of it is metal and mirrors it becomes gigantic, foggy and scary. Now I can see why they're nervous.

The actual performance area this week is only about 15' x 12'. The majority of the stage space is taken up with the band. It is Sinatra week after all and we'll get to see Harry Connick, Jr, the mentor, who will be on hand to rehearse with Ryan. Harry is funny, charming and oh so hot in person. He doles out a few hugs and autographs to the pit. Very congenial and nice.

In total, rehearsal takes about an hour. Most of the taped segments of the show aren't ready. We hear lots of banter back and forth between Ryan and the staff. He's really quite funny. He interacts a bit with the audience and trade one-liners.

Each contestant goes through the songs and are given last minute instructions on where to sit and run through sample questions from Ryan. The judges were not there, we instead saw their stand-ins who always offer positive feedback to the contestants working out last minute kinks in their songs.

As a person who loves to see how it all happens, I was in my glory. We tried to get tickets to the real show, but we didn't get from the set to the next line in time. We did however return to On Camera Audiences to put on names on the waiting list again.

GPS Tour: The Hollywood Sign

DSC00409
Originally uploaded by greenbeangirl74

Second stop on the GPS Tour of April 2008 was the Hollywood Sign. Our first stop was the Forest Lawn Cemetery in Glendale and the final stop is the Greystone Mansion. Followed by dinner at Versailles.

The Hollywood Sign was originally built in 1923 as a real estate beacon by LA Times Publisher Harry Chandler, the $21,000 Hollywoodland Sign was only supposed to last a year and a half. However, more than eight decades later it still represents all the magic of an industry that still draws millions of hopefuls every year.

It measures 450 feet long and each letter is 45 feet tall. It fell into disrepair in the 1960s and 70s as Hollywood lost its luster and its occupants and studios fled to the Valley. As the old theaters started to be restored, so was the sign. Overhauled in the 1990s, now with monument status, it made its world debut ringing in Y2K. In the early 00s state-of-the-art lights and surveillance brought this relic up to date and made it ready to last another 80+ years.

I have seen the sign from the 10 fwy, Hollywood and Highland and the Hollywood Bowl but the view from Beachwood Canyon Drive at Glen Holly is one of, if not the best. If you keep driving up Beachwood Canyon you'll find the entrance to the subdivision that started it all, Hollywoodland. Want to find other great places to see the sign? Click here

GPS Tour: Forest Lawn, Glendale

Hall of The Crucifixion-Resurrection
Originally uploaded by greenbeangirl74

When you think you've seen all there is to see in your area, consult your GPS to make sure. Wanting to take advantage of a beautiful Saturday my former roommate and dear friend Tina and I headed out in the great blue yonder with only our GPS as our guide. LOL. This is roughing it in LA.

The first stop on our random GPS led Tour was the Forest Lawn Cemetary in Glendale. Other stops on the tour were: the Hollywood Sign and Greystone Mansion.

Why stop at a cemetery? Let me tell you.

Forest Lawn in Glendale is more than a cemetery, it is a veritable cultural experience.

In addition to being the final resting place to over 250,000 people, including the largest number of celebrities, it also houses a museum, wedding chapel, art gallery, and an architectural showcase. Forest Lawn is founded on the belief that there is joy in the life after death.

During our trip we visited an amazing mural, The Crucifixion and Resurrection, a stained-glass replica of the Last Supper, and the Plaza of MesoAmerican Heritage - all part of Forest Lawn's permanent collection.

The Last Supper is one of Leonardo da Vinci's greatest works, and the original is now faded and damaged. Hubert Easton commissioned a stained glass artist from Italy to study da Vinci's sketches and recreate his masterpiece in stained glass for his gallery. It is spectacular. Amazing that it survived being shipped.

The Crucifixion and Resurrection murals are housed in the Hall of Crucifixion and Resurrection, built specifically for these amazing works of art.

The Crucifixion, painted by Polish artist Jan Styka, is the largest framed mounted to canvas painting in the world, standing 195' long by 45' high. It is hard to absorb it all, instead you have to break it down piece by piece, element by element to take it all in. Luckily the painting is narrated and important parts are iilluminated for easy finding.

What struck me most about this fantastic work of art was the story of how it came to Forest Lawn. Artist Jan Styka studied in the holy land and had his palette blessed by Pope Leo the XIII before he began his awesome effort to paint the moment of Christ's crucifixion from all perspectives.

However, when it came to America, in 1904, to be shown at an exhibition St. Louis it was lost. Jan was forced to return to Poland without his masterpiece, and he never saw it again. Dr. Huber Eaton, founder of Forest Lawn, decided to find it and get it a permanent home. In 1944 it was found in a warehouse in Chicago wrapped around a telephone pole.

The Resurrection was painted by American Artist, Robert Clark. With it's completion Forest Lawn created a sacred trilogy of the three most significant events in Christ's life - the Last Supper, Crucifixion, and Resurrection.

The Plaza of MesoAmerican Heritage has beautiful sculptures and amazing views.

Never fear, there are also a ton of celebrities to be found at Forest Lawn. In fact, it is the final resting place for the greatest number of celebrities in the world. Here is a small sample of those buried on site. Clark Gable, Carole Lombard, Jimmy Stewart, Jean Harlow, Humphrey Bogart, Mary Pickford, Errol Flynn, and Spencer Tracy. George Burns & Gracie Allen, W.C. Fields, Sammy Davis Jr., Walt Disney, Red Skelton, Lon Chaney, Ethel Waters, Alan Ladd, Dick Powell, Ted Knight, Sam Cooke, Joe E. Brown, Nat King Cole, Norma Shearer, Chico Marx, Dorothy Dandridge, Sid Grauman, Casey Stengel, Larry Fine, Aimee Semple McPherson, Louis L'Amour and L. Frank Baum.

However, Forest Lawn employees will not help you find these graves on their expansive grounds. Rather they frown on it and have on occasion confiscated grave maps.

This is not your average cemetery.

Forest Lawn — Glendale
1712 S. Glendale Avenue
Glendale, CA 91205

Hollywood Museum

Sick of Britneygate Debbie and I were craving a little of the glamorous spirit of Hollywood past so we trekked up to the Hollywood Museum in the historic Max Factor Building.

There are four floors of Hollywood artifacts and memorabilia. Even walking into the building you can feel the history that lived there - the stars that were made there. It's amazing.

Standing at the door to the museum is a mafioso looking individual who appears to be the doorman. I don't know what his purpose is, perhaps to lure in tourists, make deals on the street, no idea. Inside we were greeted by a woman who I'm sure was alive when Max Factor walked the halls. She took our money and our cameras. That's right, no photos anywhere in the building and to make sure you don't, you're forced to check your camera at the door.

A little shaken at the thought of leaving our precious cameras with a total stranger we pressed on. Once you leave the beautiful art deco lobby, dressed in white and pink marble echoing the building's glory days, there are two floors above you to explore and one beneath you.

The second floor is mainly devoted to costumes by the stars in well-known films. It was so amazing how different the clothing looked in person versus on the screen. It was much smaller and the colors were odd, especially for early technicolor process. For example, a costume from White Christmas is white on screen but in person its actually gold. I guess the lights completely washed it out.

The third floor is an odd assortment of Hollywood memorabilia, ranging from the gold sheath Elizabeth Taylor wore in Cleopatra to an amazing collection of clothing and items belonging to Marilyn Monroe. There is no rhyme or reason to the display of the collection and in many instances there is no description or explation where it comes from. There was no one from the museum around to answer questions either.

A trip to the basement, though scary, is worth the fright. They have the cellblock from Silence of the Lambs and Red Dragon. The entire set is on hand including all original props. It was eerie. Next to it is an exhibit on Egypt and memorabilia from Elvira, quite the odd combination.

We spent about 45 to an hour on each floor. There is so much too look at and digest. It really is the glory of Hollywood past with a sprinkling of the present, just to make you feel like you're a part of it.

My favorite part of the tour were the famous Max Factor make-up rooms on the ground floor. Being the first to realize color theory Max painted rooms to flatter the complexion of women of a certain hair color. It's a cool blue for blondes, peach for brownettes, pink for brunettes, and mint green for redheads. It is said that it was Max Factor who made Lucille Ball a redhead and Marilyn Monroe a blonde.

It's amazing but I looked best in the pink and mint green rooms. So Max would have let me be a redhead or a brunette, but never a blonde or brownette (lighter shades of brown). All original props from these famous make-up rooms have been restored from original Max Factor make-up to mirrors, lights and the photos of the famous stars who got made up there.

Also on display on the ground floor is Cary Grant's Rolls Royce, the largest autograph collection in the world and a film about great Hollywood performances and actors.

There are so many artifacts in this museum its hard to digest the fact that you're looking at Bob Hope's golf clubs, next to the first editing machine, next to the body cast from Puffy the dog in There's Something About Mary. It's insane. (For a semi-complete list of artifacts on display click here.

If you're a fan of Hollywood glamour, this museum is a must see. It is extremely uncommercial. They don't even have a gift shop. But maybe that makes it more pure somehow. Who knows. I loved it.

Cost: $15
Hours: Open Thursday through Sunday, from 10 AM to 5 PM. Closed Monday through Wednesday.
Location: The Hollywood Museum: 1660 N. Highland Ave, Hollywood, CA 90028 (323) 464 7776

Cars, Vegetables, and the Hollywood Sign

Our adventure today was to LA to visit the Petersen Automotive Museum, The Grove and Hollywood and Highland.

I come from a family that loves cars. My dad used to be a mechanical engineer. We frequent dealerships just to see the new cars, even when we're not going to buy. We go to car shows and I used to work in the automotive aftermarket. Cars rock! So the Petersen Automotive Museum was a must see for us.

I have to say this was the best museum I've been to in a while. It does an amazing job of showcasing the cars in their context. It explores the world they lived in. You see cars from their inception up through the 60s in the permanent exhibition. You watch the gas pump and freeways in LA evolve.

What was amazing to me was that as early as 1917 they were exploring hybrids. They didn't have the technology they needed to make it work. What was also interesting was that those early cars got 50 miles to the gallon, even through the 40s. Those cars weighed significantly more than our cars do today and they got 50 mpg and we can't manage that with all of our technology, something is wrong with that picture.

Other exhibits on display now are Hollywood Cars, Convertibles and Microcars. If you like cars you really need to visit. Admission is $10 and parking is $6.

For lunch we headed over to the LA Farmer's Market on 3rd and Fairfax, just a few blocks from the museum. Established in 1934 the market has a long history of bring the community together around food. You can buy your vegetables, eat a crepe, taco or New Orleans gumbo. We opted for Du-Parrs a family-owned restaurant established in 1936. Their homemade food was delicious. They have a bakery onsite so the bread and desserts were fantastic.

Then we wandered down the block to The Grove to see the fountain show, shop at Crate & Barrell and we listened to a band on the grassy knoll. The band was called The Copycats and they were really good. Lots of celebrities like to shop there but we didn't see any.

Needing a fix of the weird and fanciful we decided to visit Hollywood and Highland. Out in full force were people dressed up like Shrek, Harry Potter, vampires, Spiderman, SpongeBob and other characters to make money taking pictures with tourists. It works.

We opted instead to have a cream puff at Beard Papa, see the Hollywood Sign (directly behind the shopping complex), and visit the Grauman's Chinese Theatre. I don't know what's so fascinating about seeing celebrity hand and shoe prints but it is. I think its because they're all so amazingly small.

Our last stop was at the Roosevelt Hotel, right across the street from Graumans. Knowing that is where the first Oscar's were held I wanted to check it out. The hotel was home away from home for many stars back when Hollywood was still glamorous.It has been completely restored the Spanish Colonial style and its luster. However I don't think its as beautiful as The Biltmore in downtown Los Angeles.

After three full days of siteseeing we're exhausted. Tomorrow we're going to sleep in and lay low.

Multi-Cultural LA Day

Finally after two months of busy schedules I got to spend the day with Erika. No big plans we decided to go with what sounded good.

We thought about the Getty or perhaps to the park in Culver City to see an outdoor play but in the end opted for the African Marketplace & Cultural Faire.

We'd heard it was the largest cultural fair in the US and in its 22nd year we had very high hopes for it. We expected a fair full of life, with non-stop music and entertainment, a wide variety of food, and a broad selection of vendors and art. It did not deliver.

It was more like a swapmeet combined with a school carnival. We arrived at 2 p.m. and it was deserted. There was one stage, with no chairs for seating. Didn't really matter since there was nothing scheduled for hours. Most of the vendors seemed to carry the same thing. The youth village, which was supposed to have a petting zoo, storytime and classes was one booth for face painting, a bounce house and a kid kareoke stage. When we walked through it was five kids singing along to a Beyonce song. Maybe we just went at the wrong time on the wrong weekend.

Reeling from our disappointing festival experience we decided to to Culver City to visit Grand Casino Cafe & Bakery, [3826 Main St Culver City, CA 90232 (310) 202-6969] a cute Argentinian cafe on Main Street for a desert snack. Erika says that their empanadas are tasty. They have lots of traditional treats to choose from and a wide selection of sandwiches as salads. I was just happy to find my favorite Argentine cookies, Alfajores. So good.

Culver City has really changed in the last five years. There are so many great restaurants in their redeveloped downtown. Erika said that Harrison Ford's son just opened a place there aptly named Ford's Filling Station. I may have to forego a few trips to Versailles and try out some of their culinary treats.

Besides you never know who you'll run into there. While we were stopped at a stop light a pedestrian almost ran into Erika's car while crossing the street. I looked up and it was none other than Tim Robbins. How funny is that.

I spent the rest of day learning how to make Mu Doi or steamed pork buns, one of my favorite Asian foods. So good. By far, my favorite part of the day was the impromptu dinner al fresco in the garden. So lovely. What a perfect way to cap the day.

Wicked Good

Last night Tina and I ventured to LA to see Wicked at the Pantages Theatre.

Tina heard from a co-worker that you can enter your name into a lottery to receive orchestra tickets for $25 (cash only). The deal is you have to be there two hours before your show to put your name in. Our show was at 8 p.m. and we got there at about 5:55 p.m. but still made it. Unfortunately we didn't get them. So sad. At least we still had tickets, albeit in the nosebleed.

But being there so early gave us time to head to Hollywood and Highland where we discovered a cute little desert store called Beard Papa. Specializing in cream puffs, the Japanese-based chain has some seriously delicious treats. I tried the eclair (cream puff topped in chocolate) and it was so packed-full of yummy custard filling that it was gushing out. I could hardly hold it. It's a great treat. Tina had a boba smoothie and she said it was delicious.

As we drove through various part of LA I was reacquainted with how ridiculous the movie promotions are up there. We actually saw a man dressed like Noah on the street corner with a poster board promoting the release of Evan Almighty. That's right, some poor schlep had to stand in 85 degree weather in full beard and burlap costume with what appears to be a hand-painted sign promoting the movie. I know there are freaks in LA but I'm sure this was some jr. VP's idea as a good way to remind people that the movie is opening. Odd.

But it was time to head back to the Pantages. I saw Wicked for the first time two years ago and must say that I liked it better the second time. Maybe it was because I knew the story and all the music. Or because unlike last time we got to see all of the leads including the amazing Carol Kane. Eden Espinoza (Elpheba) and Megan Hilty (Glinda) were simply fantastic. Their voices absolutely filled the theatre. However, the male leads in this particular production were a little underwhelming. Their voices simply could not match those of Hilty and Espinoza. The women definitely reign supreme in this cast!

It's also interesting to see the modifications they have made to the script and scenery now that it is in a longer run at the Pantages. A co-worker's daughter was in the traveling production and said that they also had to make changes because audiences weren't getting some of the material. I think they toned down some of the corrolations to the movie and had to make certain plot twists more obvious.

Still a great production and a great night.

Ice Ice Baby

This is why I love L.A. Where else can you see Vanilla Ice for FREE and get your chance for on-camera time?

I'm posting an email I got from the friend of a friend about the concert. I couldn't keep this announcement to myself, I wanted to make sure you had the chance to add it to your social calendar.

I wonder if he's still rapping ... stop collaborate and listen, ice is back with a brand new invention .... scary that I still remember that song. Here's the email invite, tell all your friends:

hello, all of my l.a. friends! As some of you know, i am working on this show called REMAKING for vh1, where we challenge rock stars who are, shall we say...past their prime...to a total REMAKING. we are lucky enough to have vanilla ice performing in a FREE concert at the great knitting factory on wednesday, september 8th. the doors open at 8pm and the show is at 9pm. again, people...this show is FREE! and its vanilla ice! so if you were a fan, are a fan, or are planning on becoming a vanilla ice fan...please come! we are looking for a crowd ofpeople who will bob their heads and have a great time. you may even get a chance to be on TV!!! pass this e-mail along if you know of any ice fans. thanks.

If you're in the area I highly recommend checking it out.